Angeli on Decatur has a very good calzone and even better honesty. I like a place where someone on the staff tells me “the pizza here is shit” when I ask what they recommend, because sometimes a reduction in choices is better than a suggestion.
“The pizza here is shit,” this person said. Man? Woman? I’ll never tell, because their boss might find out and then one day someone will have to eat a bad pizza.
“A good thing to know,” I said. “What would you get here?”
“Get a meatball and pepperoni calzone,” said the unmistakeable voice of Frances from behind me. It’s a very deep and authoritative voice coming from this thin frame dolled up in feminine fashion. I worked with him a lot last year in Razorblade Waltz Revue and would love to work with him again soon in, well, anything. I’d read bingo numbers with Frances.
“Yeah, that,” I told the person taking my order. Frances explained how they make the meatballs the proper Italian way, so they’re spicy and tender, and then we went on to drink way too much between there and Aunt Tiki’s down the street.
I made a point to try to see what the pitches were like on Decatur. I’m told that a spot where you throw down a hat or something and play music for money is called a pitch. If I actually use the term, maybe it won’t feel so silly coming out of my mouth. So I looked for pitches and realized that I don’t really know the difference between a good pitch and a bad pitch yet, so I may as well have been saying “that’s a corner! And that’s a corner!” At least I know the right term though, right?
I’ve been busking with Remy and Thugsy from the Freaksheaux To Geaux band at different pitches that they pick on Royal Street whenever we’re all available and it’s not raining. We’re doing mostly vaudevillian numbers, Depression-era songs and spirituals with a couple of more modern surprises here and there. If you’re the sort of person who walks around New Orleans, you should come find us and throw your money at us. This is assuming I remember to mark the calendar on the front page here before I head out there. Some of you already know I’m pretty bad about last minute updates.
I’m also apparently bad at remembering things I’ve actually already done because as I was typing that, Angelle from the Strangers From The Internet podcast (among other things) mentioned my cameo appearance on their Halloween episode which I don’t remember at all. I’m going to listen to it after I post this up. Here, you do it too. They use one of my songs on the latest podcast, which is super cool of them, and is another fact I’d completely forgotten because I’m a jerk who doesn’t remember to listen to podcasts that people I know work hard to make.
“Bethany edited this month’s episode,” she messaged me. “She used quite a bit of BDtbD.”
I tried to figure out what it could stand for and failed. “Bless you,” I messaged back. Which is funny to me now because I remember Frances saying he’s actively trying to stop using superstition-based phrases like that.
“Beautiful Day To Be Dead,” she messaged back to me. It’s a strange feeling, seeing an acronym someone else used for something you made, even if they only did it because it’s an absurdly long title to have to type out.
Angelle is also part of the crew and cast for the film aspects of the Targeted project, which filmed another scene on Sunday. Not everyone in the cast is on the crew. Everyone on the crew is in the cast which means some of the more physical crew positions rotate a good bit. I’d been looking forward to this shoot because it was the first one that I didn’t have to act in, so I would be able to direct without anything else on my mind.
Something came up and our usual sound man Charles couldn’t make it so I took the job for the day, which entails holding a five pound pole up in the air out of the shots and wearing headphones with every sound around you amplified about ten times their volume. I figured it would be educational for me if nothing else.
And it was! I learned that five pounds gets really heavy after seven hours of holding it, people make really awful sounds when they drink water between takes, and the lightest tap on the boom pole will register deafening in the headphones. I told Charles the next day that I don’t know how he does it. “Strength of will,” he tells me. I don’t believe him one second — I think he’s either a masochist or a mutant, especially considering he volunteered for the job.
The shoot went well, if a lot longer than we expected. You can see pictures from it on the Targeted project page.
Even with all these things I’ve done over the last week, I feel like I’ve spent it not committing to any music backing for the last unfinished song on the Jak Locke Goes Too Far EP that you’ll be listening to before the end of the year. For me, the hardest part of a project isn’t starting it, it’s when there’s maybe one day’s worth of a few things left to do because those are the details I always kept putting off. “Let that chump Later Jak do it,” I must think.
Of course it’s what I think, because I’m thinking it now. Gah! Enough stalling! I’m going to go finish an album. After I listen to this podcast.